Taibbi’s reporting drips with caustic humor and
intelligence. I picked up several of his books and worked through them and
found an account of current history from the Kerry Bush election up until now
through the lens of that reporting. Elections, the financial crisis, war,
Katrina, immigration, stop and frisk, and corruption of our political order and imbalance of our legal system are
all given a review. We can see the transition from a democracy to an oligarchy. People may find Taibbi’s voice cynical and anarchist, but I
find it mostly refreshing as he takes no prisoners and finds both parties at
equal fault.
The Divide is the most current and the most important as it
shows, to crudely paraphrase Taibbi’s thesis, the move of America towards a
dystopia. An oligarchy that is criminalizing being poor by intertwining the
social safety net with law enforcement and at the same time refusing to prosecute financial
crimes criminally (only seeking fines). Taibbi gives us a tour of the
bureaucracy of welfare, stop and frisk, immigration laws of Georgia, and other idiocy. He uses situations that seem worthy of the fiction of Heller and Kafka, a largely computer and statistical model referencing bureaucracy gone amuck, serving only its illogical needs. Then he counters this
with the inadequate prosecuting of financial crimes. HSBC bank can launder $100
million for the mass murders in the Sinaloa cartel without a single person
going to jail but a homeless man caught with a single joint gets to serve 40
days in jail. The grotesque onslaught of short sellers on Fairfax Financial is particular bizarre episode. Case by case Taibbi goes through this surreal tilting of justice. A country where violent crime is on the downswing but prison populations are exploding. Those who suffer mostly are blacks and Latinos and some whites, but main the trend is towards the poor being the brunt of this upside down world of justice where crime is only prosecuted for one population. a population without a voice, a population the majority of Americans despise and fear. Fear that they will be there soon. Whole communities are turned into occupied territory where the stupidest little mistakes that all kids make during adolescence, can pull you into a system that can grind you into nothing.
Griftopia is Taibbi’s sour take on the financial
crisis and its aftermath. He reviews what he calls the “grifter era” where
everyone in government and business have moved towards seeking a fast buck
instead of long term planning. Pennsylvania attempts to sell its turnpike, and
Chicago does sell its parking meters to fill a one year budget gap(for a 75
year lease) This resembles the sacking
of a crumbling empire rather than a plan for continued business. He treats the
bailouts, the Tea Party, Affordable Care Act(which has done nothing to break up
the insurance cartels and is many ways a gift to them) with scorn, disgust and
also compassion. The consensus between the two parties to back up business at
every turn while keeping people squabbling over social issues is creating a
culture of cynicism and corruption, truly alienated from democratic impulse.
The Derangement is about the loss of a collective public
narrative during the Bush era. People on the right and left started to use Taibbi's wonderful term “reality shopping” to
find their own narrative. He explores and infiltrates Pastor Hagee’s megachurch
and the 9/11 truth movement. He finds an America disenchanted with its
political options, seeking easy superhero narratives (the Matrix and V for
vendetta being common touchstones), and mostly very lonely. I found this book
deeply sad, the optimism of the conspiracy theorist (even though they think
they are facing a truly evil and murderous foe) versus the cynicism,
disinterest and shabbiness of reality is deeply depressing. Taibbi finds
humanity in both of these camps and avoids easy humor, even though he exposes
some troubling beliefs and subtexts in the current era of popular movements.
Episodes or dispatches from the disasters of Bush’s second
term. Taibbi retains interest whether reporting on the corrupt do nothing
congress, or reporting from where the thin veneer of civilization is wiped away to reveal the
uncaring face of reality. For these later parts his trip into post-Katrina New
Orleans with Sean Penn is a piece of reporting worthy of Heller or Thompson, a
piece of apocalyptic comedy equal parts satire and deadly serious, and three
surreal days in Abu Ghraib.
This earlier work covering the 2004
election is his busiest writing, filled with skits, jokes and lots of gonzo
antics like drug taking and wearing silly outfits. Its thesis, that Taibbi
delivers in more nuanced fashion in later books is of the presidential election
as an elaborate version of the third world military parade. He heaps endless
scorn on all the candidates and both parties, and the reporters who give it
such an air of importance. The only politicos he retains any love for are Dennis
Kucinich and Bernie Sanders, which seems about right. This book is cynical and disgusted, but in
the end whom is more cynical, the pageantry or the one who exposes it.
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